第6届欧洲建筑遗产干预奖最终获奖名单公布-住逻辑云定制-专业的软装家具定制服务提供商

第6届欧洲建筑遗产干预奖最终获奖名单公布

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2024-08-08 1144

欧洲建筑遗产干预奖旨在从技术和方法论的角度，对在质量、精确度和尊重场地方面都拥有突出表现的作品予以嘉奖。鉴于参选项目涉及的范围十分广泛，评审团着重强调了项目在专业性和建筑质量上的表现，以及它们作为当代干预项目与遗产建筑在原始特征与精神上的契合程度。

Given the wide range of the submitted projects, the international jury of the award has wished to highlight not only the professionalism and architectural quality of the entries but also their capacity to demonstrate that a contemporary intervention can keep alive the original spirit and ambition of these elements in order to disseminate and boost architectural heritage.

建成遗产类获奖项目：
Winner Project – Built heritage category:

柏林新国家美术馆翻新
Neue Nationalgalerie

建筑师：David Chipperfield Architects
地点：德国，柏林
Author: David Chipperfield Architects
Location: Berlin. Germany

柏林新国家美术馆于1968年竣工，是路德维希·密斯·凡·德·罗移民美国后在欧洲的唯一建筑。由于需要对钢筋混凝土外壳进行大规模的修复，同时彻底更新建筑的技术服务，因此需要进行深入的干预。建筑被整修并升级至符合当下的技术标准，并尽可能地减少了建筑原貌的视觉影响。大约35,000个建筑部件被拆除和修复，并在必要时在原来的位置上进行修缮和重新安装。功能和技术的升级包括空调系统、人工照明、安防系统、游客设施（如衣帽间和博物馆商店）、艺术品布置以及无障碍通道等。这项复杂的规划过程，其关键是在建筑保护与建筑作为现代博物馆的功能性之间找到平衡。必要的干预措施必须与对原有事物的保护相协调，同时保证以原始设计为优先，以谨慎的方式展现当代元素的特征。

Completed in 1968, the Neue Nationalgalerie is the only building by Ludwig Mies van der Rohe in Europe after his emigration to the US. The need to extensively repair the reinforced concrete shell and completely renew the technical building services required an in-depth intervention. The building has been refurbished and upgraded to current technical standards with a minimum of visual compromise to the original appearance. Around 35,000 building components were dismantled, restored, modified where necessary and reinstalled in their original positions. The functional and technical upgrades include air-conditioning, artificial lighting, security, visitors’ facilities, such as cloakroom and museum shop, art handling and disabled access. Key to the complex planning process was finding a balance between conservation and the use as a modern museum. Essential interventions had to be reconciled with preserving as much original substance as possible and remain subordinate to the existing design, while discreetly legible as contemporary elements.

户外空间类获奖项目：
Winner Project – Exterior spaces category:

El Tanque花园：连接工业遗迹与自然
El Tanque Garden: Industrial Heritage and Nature

建筑师: Fernando Menis
地点: 西班牙，圣克鲁斯-特内里费
Author: Fernando Menis
Location: Santa Cruz de

El Tanque花园对一个后工业地区进行了生态修复。该区域自2014年起被列为受保护的遗产，为圣克鲁斯-特内里费的Cabo Llanos社区提供了首个绿色公共空间。1997年，西班牙第一座炼油厂的油罐被重新用作文化空间，在该项目中，新的香蕉树花园围绕着既有的油罐建立起来，唤起了人们对工业化之前的农业景观的记忆，并展示了城市对不同时代、文化与感觉的融合与保存，恢复了文化的连续性与归属感。花园的布局尊重了场地与石墙的原始几何形状，不复存在的水箱如今只留下原始的底座，并成为新广场的边缘空间。El Tanque曾经遭受创伤的外观与周围的自然元素被重新修复，并整合至涵盖建筑遗迹、自然和再循环的总体修复概念中。这座生物多样的花园包含700棵树和植物，以及用废弃物品再造和定制的灯具及户外家具。

El Tanque Garden is the ecological restoration of a post-industrial area, protected heritage since 2014, that endows the Cabo Llanos neighborhood of Santa Cruz de Tenerife with its first green public space. Set around a former oil tank that had been part of the 1st refinery in Spain and reused as a cultural space since 1997, this banana garden recalls the agricultural landscape prior to industrialization, staging the city as the coexistence of different times, cultures and sensibilities to restore a sense of cultural continuity and belonging. Its layout respects the original geometry of the site and the stone wall, while the base of a disappeared adjoining tank, becomes the perimeter of the new plaza. The injured exterior of El Tanque itself and its elements are rehabilitated and integrated into the general rehabilitation concept that combines heritage, nature and reycling. The biodiverse garden contains 700 trees and plants and includes lighting and furniture designed and custom built with waste.

©Hisao Suzuki

©Simona Rota

城市规划类获奖项目：
Winner Project – Urban planning category:

格雷西亚社区重建
Regeneration of Gracia’s Neighbourhoods

建筑师: Jornet Llop Pastor
地点: 西班牙，巴塞罗那
Author: Jornet Llop Pastor
Location: Barcelona. Spain

格雷西亚区是巴塞罗那最古老的城市区域之一。它诞生于一个重要的乡村地区，在很长一段时间内独立于巴塞罗那市。在十九世纪初，我们发现了该地区的首次工业足迹。与此同时，这里也是巴塞罗那中产阶级建造第二居所的区域。以上这些因素使格雷西亚的城市网格具有非常特殊的性质，这里如今已经成为加泰罗尼亚最重要的历史城市中心之一。在此背景下，有必要建立专属于该区域的规范，以保护其遗留的区域特征和氛围。大都会总体规划的修正方案重新定义了该地区所有的城市规划，并使城市法规适应当前保护和保存历史城市网格的标准。这些方案遵循了促进和保护建筑及社会遗产、生产新的保护性住房以及维护环境可持续性的发展方向。

Gracia District is one of the most ancient urban areas of Barcelona. It was born as an important rural area, that was independent from the city of Barcelona for a longtime. At the beginning of the XIX century we find the first footprint of industry. It is also an area where Barcelona’s middle-class people built their second residences. All these factors, gave a very special character to the urban grid of Gracia and it has become one of the most important historical city centres of Catalonia. For this reason, it is necessary to create an own and specific regulation in order to preserve the heritage of the character and the atmosphere of this area. The Metropolitan General Plan Modification revises all the urban plans developed on the area and adapts the urban regulations to the current standards of conservation and preservation of the historical urban grids. The proposals are following the direction of promotion and protection of the built and social heritage, the production of new protected housing and the environmental sustainability.

传播类获奖项目：
Disclosure category:

La vie en kit建筑纪录片
La vie en kit

作者: Elodie Degavre
国家: 比利时
Author: Elodie Degavre
Country: Belgium

▼视频，Video © Elodie Degavre

La vie en kit是一部关于建筑的纪录片，拥有极为广泛的受众。该影片入选多个电影节（BRIFF、BAFF、FIFA），证明了其强大的影响力。同时，它也是探索电影与建筑历史研究相关性的研究项目的一部分，并在不同的学术场景下进行放映。该项目起源于对上世纪70年代的三个住房项目的研究，包括Sart- Saint Nicolas（Petit）、Patze Englebert system（Englebert）和Mémé（Kroll），它们均具有创新、灵活和有弹性的特点，却逐渐被人们遗忘。这部影片追溯了这些项目的种种经历，以及它们作为“现存档案”的特殊身份。La vie en kit并非只面向过去，它通过三个生动的故事，以档案、口述和居住的形式彰显了遗产价值，以便我们更好地审视未来。正如Mark Wigley所倡导的那样：“研究并重置建筑档案的结构，从而提出更加进步的设计理念。”

La vie en kit is a documentary on architecture, intended for a wide audience. Its selection in various film festivals (BRIFF, BAFF, FIFA) demonstrates its ability to reach a variety of viewers. At the same time, it is part of a research project exploring the relevance of film to architectural historical research and has been shown in academic contexts. The project originates from the discovery of three forgotten yet innovative, flexible and resilient housing projects of the 70s: Sart- Saint Nicolas (Petit), Patze Englebert system (Englebert) and Mémé (Kroll). The film retraces these adventures up to the present day and is intended as a living archive. La vie en kit is not oriented towards the past. Through three lively stories, it mobilises heritage in its archival, oral and inhabited form to better interrogate our future, as an attempt, as Mark Wigley suggests, “to study and reconfigure the architecture of the architectural archive and thereby come up with more radical concepts of design.”