墨尔本设计周2023 (MDW)又结束了一年，但并不是没有点燃更多的好奇心，发现和自豪在我们的澳大利亚设计界比以往任何时候都-及时帮助我们度过冬天。

Melbourne Design Week 2023 (MDW) is over for another year but not without igniting more curiosity, discovery and pride in our Australian design community than ever—just in time to tide us over for the winter.

在NGV的策划下，设计师和创客的持续支持在很多方面都得到了体现，因为这个活动利用它的平台来倡导好设计的价值，并专门为参与者提供了一个推广和销售他们作品的地方——因为挨饿的艺术家已经是老生常谈了，不是吗?但更重要的是，如果我们不首先尊重物体和背后的人，我们怎么能期待看到持续的美丽作品呢?

Curated by the NGV, the continued support of designers and makers was felt in more ways than one, as the event used its platform to advocate the value of good design and specifically foster a place for participants to promote and sell their work—because starving artists is a played-out cliché, isn’t it? But more importantly, how do we expect to see continuously beautiful and provocative work if we don’t first respect the object and the person behind it?

墨尔本设计博览会位于墨尔本会议展览中心的新一端，今年的墨尔本设计博览会在另一个层面上，提供的，限量版和小批量设计生产的家具，照明和物品，供新兴设计师和制造商出售。在伊恩波特中心:NGV澳大利亚，NGV的墨尔本现在继续设计墙庆祝在墨尔本设计的消费产品，汇集了25个设计工作室，塑造了我们今天的生活方式。

Located at the new end of the Melbourne Convention and Exhibition Centre, Melbourne Design Fair was on another level this year, offering one-of-a-kind, limited edition and small-batch design production of furniture, lighting and objects for sale by emerging designers and makers. Over at The Ian Potter Centre: NGV Australia, the NGV’s Melbourne Now continued with The Design Wall celebrating consumer products designed in Melbourne, bringing together twenty-five design studios that are shaping the way we live today.

Oigall工作室，Photo: Lillie Thompson

Studio ALM，Photo: Lillie Thompson

Sullivan+Strumpf，Photo: Lillie Thompson.

Studio Tops，Photo: Sean Fennessy.

Sozou， Photo: Lillie Thompson

Snelling Studio，Photo: Sean Fennessy.

Christopher Boots，Photo: Sean Fennessy.

C. Gallery，Photos: Lillie Thompson.

Gallery Sally Dan-Cuthbert，Photo: Lillie Thompson.

Gaetano Pesce，Photo: Lillie Thompson.

Dowell Jones，Photo: Lillie Thompson.

Jack and Mark Fearson，Photo: Lillie Thompson.

Sentients Furniture Series, 2023 by UnitePlayPerform.

Limited edition Metamorphic Table by Alexander Lotersztain.

Paula Savage的作品将于2023年5月18日至21日在墨尔本会议展览中心的墨尔本设计博览会上展出，这是墨尔本设计周的一部分。照片:肖恩·芬尼西。Paula获得了由梅赛德斯-奔驰颁发的2023年墨尔本设计周大奖。

Paula Savage’s work on display in FOCUS at Melbourne Design Fair 2023 from 18-21 May at Melbourne Convention and Exhibition Centre, part of Melbourne Design Week 2023. Photo: Sean Fennessy. Paula was awarded the 2023 Melbourne Design Week Award, presented by Mercedes-Benz.

随着时间的推移，该活动的永恒主题“设计你想要的世界”变得越来越重要，我们观察到三个主要原则提供了“思考的食物”——社区、物质性和遗产。参与者向内审视定义我们的现有仪式，向外推动这些参数的界限，努力为我们的世界提供未来的保障。

With the event’s enduring theme, Design The World You Want, feeling increasingly more relevant as the years go on, we observed three leading principles offering ‘food for thought’—Community, Materiality and Legacy. The participants looked inward at the existing rituals that define us and outward to push the boundaries of these parameters in an effort to futureproof our world.

设计师们似乎从完全不同的角度产生了相似的共鸣，似乎几乎没有讨论，这表明我们现在对我们当地的设计界来说这是重要的。

Designers seemed to strike similar chords from completely different perspectives and seemingly, with little to no discussion, an indication to us that this is what’s important right now to our local design community.

Coco Flip展示了Linear，这是一个限量版照明展览，同时还有一部短片，探索了褶皱的历史和遗产。灯光和设计工作室与墨尔本一家褶皱工厂——威廉斯敦的specialty pleater合作，试图了解褶皱的历史意义，并参与到这一过程中，探索褶皱在当代设计背景下的新应用方式。

Coco Flip presented Linear, an exhibition of limited-edition lighting alongside a short film that explores the history and legacy of pleating. Working with Melbourne’s last remaining pleating factory—Specialty Pleaters in Williamstown—the lighting and design studio seeks to understand the historical significance of pleating and engage with the process, exploring new ways that pleating can be applied in a contemporary design context. Photos: Pier Carthew.

Coco Flip’s Linear. Photos: Pier Carthew.

在Robin Boyd的Walsh St住宅中，Mud Australia创始人兼创意总监Shelley Simpson和工业设计师Zachary Hanna首次推出了三款合作设计的灯具。独特的形状和颜色诞生于两位设计师之间真正的合作过程，推动了各自陶瓷和照明设计领域的界限。

At Robin Boyd’s Walsh St residence, Mud Australia founder and creative director Shelley Simpson and industrial designer Zachary Hanna debuted three lamps designed collaboratively. The unique shapes and colours were born from a truly collaborative process between the two designers, pushing the boundaries in their respective porcelain and lighting design fields. Photos: Sean Fennessy.

Zachary Hanna’s ceramic lamp for Mud Australia. Photos: Sean Fennessy.

Kieren Karritpul在Tolarno画廊的“Texere”展示了一种充满活力的流动织物，装饰着分层印刷技术。Karritpul的艺术作品讲述了土著的故事、历史和经历，有力地说明了他与这片土地的深厚联系。Kieren Karritpul的“Texere:织物上的新编织表面”的装置视图。

Kieren Karritpul’s ‘Texere’ at the Tolarno Gallery delivered a vibrant display of flowing fabric adorned with layered printing techniques. Karritpul’s artistry narrated Indigenous stories, histories and experiences, powerfully illustrating his deep connection to the land. Installation view of Kieren Karritpul’s Texere: New Woven Surfaces On Fabric presented by Tolarno Galleries, Melbourne on display from 18-27 May as part of Melbourne Design Week 2023. Photo: Andrew Curtis.

Kieren Karritpul’s ‘Texere’ at Tolarno Gallery. Photo: Andrew Curtis.

A&A at Tolarno Gallery—Florescence Pod (blue) 2023 custom-dyed rye straw carbon biopolymer brass inlay, unique 50 x 43.5 x 43.5 cm. Photo: Andrew Curtis.

澳大利亚工业设计师Adam Goodrum和法国稻草镶嵌工匠Arthur Seigneur在Tolarno画廊回归A&A，推出了一个新系列，包括三个豆荚和一个桌子，灵感来自植物开花的过程或时期，被称为花期。花苞(黄色)2023定制染色黑麦秸秆碳生物聚合物黄铜镶嵌，独特的50 x 43.5 x 43.5厘米。图片来源:Andrew Curtis。

Australian industrial designer Adam Goodrum and French straw marquetry artisan Arthur Seigneur return as A&A with a new collection at Tolarno Gallery, which comprises three pods and one table, taking its inspiration from the process or period of a plant’s flowering, known as florescence. Florescence Pod (yellow) 2023 custom-dyed rye straw carbon biopolymer brass inlay, unique 50 x 43.5 x 43.5 cm. Photo: Andrew Curtis.

条条大路通社区

All Roads Lead to Community

在MDW的中心，“社区”的主题贯穿了一系列不同的展览。从反思对象研究“玻璃柜”到感官探索“村庄”，从开门概念“设计之家”到公共精神“开放的桌子”。

At the heart of MDW, the theme of ‘community’ pulsed through a series of diverse exhibitions. These ranged from the reflective object study ‘Vitrine’ to the sensory exploration ‘Villages’, from the open-door concept ‘Design House’ and the communal spirit of ‘Open Table’.

在Vitrine中，Marsha Golemac邀请了九位艺术家来思考物品的重要性，以及它们如何塑造和反映我们的身份。纸上的参与者，从著名的澳大利亚雕塑家Peter D. Cole到墨尔本的艺术家Jeremy Blincoe，似乎不能分开，但通过自我表达的纽带凝聚在一起。将人们聚集在一起并发掘新的人才是Marsha的众多才能之一，因为她邀请和创造空间，将那些可能不认为自己是传统设计社区一部分的人带入其中。

In Vitrine, Marsha Golemac invited nine artists to reflect on the significance of objects and how they shape and reflect our identity. The participants on paper, from renowned Australian sculptor Peter D. Cole to Melbourne-based artist Jeremy Blincoe, couldn’t seem further apart, yet come together cohesively through a bond of self-expression. The bringing together of people and unearthing new talent is one of Marsha’s many talents as she invites and creates space, bringing people who may not consider themselves a part of the traditional design community into the fold.

在at the Above，陶瓷艺术家Sarah Nedovic与艺术总监Stephanie Stamatis合作举办了“村庄”展览，这是一个感人的展览，利用他们自己的代移民经历来探索两个相互关联的组成部分——对土地的怀旧记忆和长桌上的对话。两位创意人员结合了他们的技能，莎拉展示了一系列具有启发性的雕塑，灵感来自于野蛮派斯波门尼克(Spomenik)对她前南斯拉夫遗产的纪念，旁边是斯蒂芬妮(Stephanie)策划的一张长桌，桌子上摆满了香料、葵花籽和无花果等文化符号和记忆留念物，代表着一顿漫长的晚餐。展览甚至还有一顿饭，斯蒂芬妮主持了一顿晚餐，利用萨拉和她的团队设计的实用文物，讲述了她自己与家庭和传统的关系。

Over at At the Above, Ceramic artist Sarah Nedovic collaborated with Art Director Stephanie Stamatis in Villages, a moving exhibition that drew on their own first-generation experience of immigrants to explore two interrelated components—nostalgic memories from the land and conversations at the long table. The two creatives combined their skills, Sarah presenting a series of illuminating sculptures inspired by Brutalist Spomenik memorials of her former-Yugoslavian heritage, alongside a long table curated by Stephanie filled with cultural signifiers and memory lodgers like spices, sunflower seeds and figs–representing a drawn out meal. The exhibition even came with a meal, with Stephanie hosting a dinner that spoke to her own ties to family and tradition utilising usable artefacts designed by Sarah and her team.

Oigall Projects欢迎客人进入菲茨罗伊画廊修复的私人住宅，展示“设计之家”——一个概念设计与日常生活相遇的空间。这里展示的是Volker Haug的灯和Lex Williams的木椅。

Oigall Projects welcomed guests into their Fitzroy gallery’s restored private home, presenting ‘Design House’—a space where conceptual design met everyday life. Shown here is a light by Volker Haug and a timber chair by Lex Williams. Photo: Annika Kafcaloudis.

Brud Studia table and stool, and light by Henry Wilson. Photo: Annika Kafcaloudis.

Den Holm at Design House.

Wall sculpture by Henry Wilson.

Ceiling Light by Brem Perera. Fabric Floor Lamp by Fletcher Barns. Photo: Annika Kafcaloudis.

Floor Light by Olivia Bossy. Photo: Annika Kafcaloudis.

‘Design House’ by Oigall Projects. Photos: Annika Kafcaloudis.

在筒仓项目中，以前的粮食筒仓是澳大利亚主要声音的实验设计策略的东道主，包括Pascale Gomes-McNabb, Volker Haug和Meagan Streader。作为一种建筑干预，它挑战了筒仓的孤立性，为创造性的流动性和集体性创造了一个空间。

At the Silo Project, the former grain silos played host to experimental design strategies from leading Australian voices, including Pascale Gomes-McNabb, Volker Haug, and Meagan Streader. An architectural intervention, it challenged the isolation of the silos, fostering a space for creative fluidity and collectivity. 

Ancher建筑事务所、Corey Thomas和Josee Vesely-Manning在筒仓项目中展示的Corey Thomas作品。

Installation view of Corey Thomas’ work in Silo Project presented by Ancher Architecture Office, Corey Thomas and Josee Vesely-Manning on display . Photo: Pier Carthew.

由Ancher建筑事务所、Corey Thomas和Josee Vesely-Manning设计的Billie Civello的Siros Chaise in Silo项目。

Installation view of Billie Civello’s Siros Chaise in Silo Project presented by Ancher Architecture Office, Corey Thomas and Josee Vesely-Manning on display from 18-21 May as part of Melbourne Design Week 2023.Photo: Pier Carthew.

作为2023年墨尔本设计周的一部分，Ancher建筑事务所、Corey Thomas和Josee Vesely-Manning在5月18日至21日展出的Josee Vesely-Manning的Mood Rings和集群灯在筒仓项目。

Installation view of Josee Vesely Manning’s Mood Rings and Cluster lights in Silo Project presented by Ancher Architecture Office, Corey Thomas and Josee Vesely-Manning on display from 18-21 May as part of Melbourne Design Week 2023. Photo: Pier Carthew.

考虑到与这片土地的联系，Kieren Karritpul的个个展Texere: New Woven Surfaces On Fabric在离家更近的地方举行。在托拉诺画廊举行的展览中，这位来自澳大利亚北领地瑙伊尤/戴利河的艺术家展示了一场引人注目的展览，展示了用丝网印刷、模板印刷和亚麻印花装饰的流动织物，这些技术往往是层层叠的。通过重复和线条，土著生活的故事和历史被编织成织物，色彩缤纷，富有吸引力。

With a connection to the land in mind, Kieren Karritpul’s first solo exhibition Texere: New Woven Surfaces On Fabric was grounded a little closer to home. Held at Tolarno Gallery, the artist who is from Nauiyu/ Daly River in the Northern Territory presented a commanding show of flowing fabric adorned with screen printing, stencil and lino printing—with techniques often layered on top of one another. Colourful and magnetic, stories and histories of an indigenous life were woven into fabric through repetition and lines.

Oigall Projects打开了他们位于菲茨罗伊画廊顶部的私人住宅的大门，经过漫长的，用他们的话说，有时是痛苦的修复，展示了设计之家——一个远离任何基座的日常环境中的概念设计庆典。正如他们所解释的那样:“功能性艺术，发挥其功能……我们希望将设计置于一个经过深思熟虑的宜居环境中。让它在结束的时候被精心照料、触摸和尝试、擦拭、拖来拖去、打开和关闭。”

Oigall Projects opened the doors of their private home, set atop their Fitzroy gallery, after a long and, in their words, sometimes painful restoration, to present Design House—a celebration of conceptual design in an everyday context, away from any pedestals. As they explain: “Functional art, performing its function… We want to place design in a considered and liveable context. Let it be fussed over, touched and tried, wiped down, shuffled around and switched on and off at the end of a day.” Bravo boys, no notes.

在“Vitrine”中，Marsha Golemac邀请了九位艺术家来探索物体如何塑造和反映我们的身份。这些来自不同艺术领域的人在自我表达的共同线索下团结起来，扩展了设计界的传统观念。由Marsha Golemac在墨尔本设计周2023上展出的Jeremy Blincoe作品。

In ‘Vitrine’, Marsha Golemac invited nine artists to explore how objects shape and reflect our identities. United by the common thread of self-expression, these individuals from different artistic realms expanded the conventional notions of the design community. Installation view of Jeremy Blincoe’s work on display in Vitrine: Object Identity presented by Marsha Golemac at Melbourne Design Week 2023. Photo: Annika Kafcaloudis.

Installation view of Peter D Cole’s work on display in Vitrine: Object Identity presented by Marsha Golemacat Melbourne Design Week 2023. Photo: Annika Kafcaloudis.

Installation view of Anna Varendroff’s work on display in Vitrine: Object Identity presented by Marsha Golemac at Melbourne Design Week 2023. Photo: Annika Kafcaloudis.

Installation view of Jeremy Blincoe’s work on display in Vitrine: Object Identity presented by Marsha Golemac at Melbourne Design Week 2023. Photo: Annika Kafcaloudis.

Installation view of Matt Bromhead’s work on display in Vitrine: Object Identity presented by Marsha Golemac at Melbourne Design Week 2023. Photo: Annika Kafcaloudis.

Jay Jermyn’s work for Vitrine: Object Identity presented by Marsha Golemac at Melbourne Design Week 2023.Photo: Annika Kafcaloudis.

Vitrine: Object Identity presented by Marsha Golemac on display at Melbourne Design Week 2023. Photo:Annika Kafcaloudis.

Jason Phu’s posters for ‘Open Table’ hosted by Flack Studio.

Flack工作室与许多艺术家和设计师合作，召集了“开放式桌子”——围绕桌子的普遍设置探索家庭记忆和习惯。在这个充满活力的展览中，社区精神、共同经历和家的节奏变得生动起来。

Flack Studio, in collaboration with many artists and designers, convened ‘Open Table’—an exploration of familial memories and habits centred around the universal setting of the table. The spirit of community, shared experiences, and the rhythms of home came alive within this vibrant exhibition.

Installation view of Danielle Brustman, Minaal Lawn, Sara Yael & Dylan James’ work for Open Table.

Flack Studio for Open Table.

Installation View of Ramesh Nithiyendran’s work at Open Table.

Flack Studio for Open Table.

Installation view of Marsha Golemac’s Servis at Open Table.

Installation view of Karen Black & Ruby Black’s work at Open Table.

Installation View of Studio John Fish’s work at Open Table.

在Open Table上的Foolscap工作室作品的装置视图。

Installation View of Foolscap Studio’s work at Open Table.

就在不远处，Flack Studio的Open Table工作室也在考虑社区问题。该工作室与一系列艺术家和设计师合作，策划了一个展览，以回应围坐在桌子旁的想法。与家庭和家庭紧密相连，参与者回忆起在这个普遍环境中形成的记忆、仪式和习惯。

Just a short walk away, community was also on the minds of Flack Studio with Open Table. Collaborating with a range of artists and designers, the studio curated an exhibition responding to the idea of gathering around a table. Closely linked to family and home, participants recalled memories, rituals and habits that all formed at this universal setting.

朋友和同事和我的Doughty在我身边度过了一段美好的时光，但时间不长。F&A的一半成员Dale Hardiman将其描述为“混乱”，他们邀请所有人参加他们的临时展览“1小时展览”，并带一件物品坐在上面——的要求是你必须呆满60分钟。这是一个不太严肃的展览，展品从打开的可乐罐;一堆书，一个手提箱和一些创意纸板创作，一些耸人听闻的设计作品。

Friends and Associates and Myf Doughty were around for a good time, but not a long time. Described by one half of F&A, Dale Hardiman, as “mayhem”, the collective invited everyone to join in on their temporary show 1-Hour Exhibition and bring an object to be sat on—the only requirement being that you must stay for the complete 60 minutes. An exhibition that didn’t take itself too seriously, entries ranged from an opened can of coke; a pile of books, a suitcase and a number of creative cardboard creations, to some sensational design pieces.

“在上面”的“村庄”提供了对怀旧记忆和移民经历的深刻审视。陶瓷艺术家Sarah Nedovic与艺术总监Stephanie Stamatis合作，将野兽派spomenik风格的雕塑和策划的“长桌”结合在一起，使用Nedovic团队设计的人工制品，提供具有文化意义的盛宴。

‘Villages’ at At the Above offered a poignant examination of nostalgic memories and immigrant experiences. Ceramic artist Sarah Nedovic collaborated with Art Director Stephanie Stamatis, integrating Brutalist Spomenik-inspired sculptures and a curated ‘long table’, serving up a cultural significance feast, using artefacts Nedovic’s team designed.

Scenes from ‘Villages’ at At the Above.

Friends and Associates和Myf Doughty创造了一个有趣的“1小时展览”，邀请参观者带一个物体坐在上面整整一个小时。集体独特的参与式设计以一种非传统的、令人愉快的方式突出了社区的主题。上图:George Shvili。下图:Catherine Feint。

Friends and Associates and Myf Doughty created the playful ‘1-Hour Exhibition’, inviting visitors to bring an object to be sat on for a full hour. The collective’s unique take on participatory design highlighted the theme of community in an unconventional and delightfully engaging way. Photo above: George Shvili. Photos below: Catherine Feint.

物质性和废物探索

Materiality and Waste Exploration

在这一周中，材料和工艺的探索随处可见，挑战了既定的想法，并展示了对消费和可持续发展责任的集体渴望。

Material and process exploration were everywhere you looked during the week, challenging established ideas and showcasing a collective hunger for responsibility around consumption and sustainability.

其中一个展览是由Calum Hurley策划的HARD，它将社区和物质性结合在一起。在第二版中，来自澳大利亚各地的19名酷儿创意人士用发现的家庭垃圾创造了一些新东西。在庆祝同性恋性行为和身份认同的同时，澳大利亚人还会在天黑后偷偷溜出去，在街上搜寻硬垃圾——任何住过合租房子的人都能体会到这一点，这是一个表露内心的展览。正如埃利奥特·帕帕扎哈里基斯(Elliott Papazahariakis)在为该节目撰写的文章中所阐述的那样:“(家庭垃圾或硬垃圾)太笨重，太奇怪，甚至太奇怪，无法整齐地放入彩色垃圾箱，因此对生活在边缘的人来说，它继续发挥着重要作用。”

One exhibition that intersected both Community and Materiality was HARD, curated by Calum Hurley. In its second edition, 19 queer creatives from across Australia created something new with found household waste. Celebrating queer sexuality and identity in tandem with the Australian ritual of sneaking out after dark to scour the streets for hard rubbish—something anyone who’s lived in a share house can relate to, it’s an exhibition that wears its heart on its sleeve. As Elliott Papazahariakis elaborates in his essay written for the show: “[household waste, or hard rubbish is] too bulky, too strange, too queer even, to fit neatly into coloured bins, thus continues its important role for those living on the margins.”

自悉尼的Tom Fereday和来自墨尔本的Charlie White展示了Versa，这是一个通过独立合作开发的联合展览。展览展示了一系列独特的家具和建筑元素，分别由Tom和Charlie为北墨尔本的肉类市场马厩的三个空间量身定制。这对搭档试图创造一系列的作品，探索废物的转化和对其感知价值的挑战。

Sydney-based Tom Fereday and Melbourne-based Charlie White presented Versa, a joint show developed through a process of independent collaboration. The exhibition showcases a collection of unique furniture and architectural elements, made by Tom and Charlie respectively, tailored to the three spaces of the Meat Market Stables in North Melbourne. The pair sought to create a series of works that explore the turning of waste materials and the challenging of their perceived value.

由Misc Objet和New assembly主办的WORKSHOP01展示了11位具有广泛不同观点的新兴设计师的新作品，他们都希望超越审美共识的界限。该展览提供了独特的视角，以了解塑造创意输出的各种影响和过程。

Presented by Misc Objet and New Assemblage WORKSHOP01 showcased new work by eleven emerging designers with wildly diverse outlooks, all united by a desire to push boundaries beyond the aesthetically consensual. The exhibition provides unique insight into the varied influences and processes that shape creative output. Photo: Nicholas Wilton.

作为2023年墨尔本设计周的一部分，Misc object和New assembly于5月18日至21日展出了Julian Leigh May在WORKSHOP 01的作品的装置视图。

Installation view of Julian Leigh May’s work in WORKSHOP 01 presented by Misc Objet and New Assemblage on display from 18-21 May as part of Melbourne Design Week 2023. Photo: Nicholas Wilton.

作为2023年墨尔本设计周的一部分，Misc object和New assembly于5月18日至21日展出了Nicholas Aylward在WORKSHOP 01的作品的安装视图。

Installation view of Nicholas Aylward’s work in WORKSHOP 01 presented by Misc Objet and New Assemblage on display from 18-21 May as part of Melbourne Design Week 2023. Photo: Nicholas Wilton.

作为2023年墨尔本设计周的一部分，Misc object和New assembly将于5月18日至21日展出Tess Pirrie在WORKSHOP 01的作品。

Installation view of Tess Pirrie’s work in WORKSHOP 01 presented by Misc Objet and New Assemblage on display from 18-21 May as part of Melbourne Design Week 2023. Photo: Nicholas Wilton.

5月18日至21日，作为2023年墨尔本设计周的一部分，Misc object和New assembly展示了Tanika Jellis在WORKSHOP 01的作品的安装视图。

Installation view of Tanika Jellis’s work in WORKSHOP 01 presented by Misc Objet and New Assemblage on display from 18-21 May as part of Melbourne Design Week 2023. Photo: Nicholas Wilton.

作为2023年墨尔本设计周的一部分，Misc object和New assemblies于5月18日至21日展出了Alexis Williams在WORKSHOP 01的作品的安装视图。

Installation view of Alexis Williams’s work in WORKSHOP 01 presented by Misc Objet and New Assemblage on display from 18-21 May as part of Melbourne Design Week 2023. Photo: Nicholas Wilton.

DO WORKS在尼古拉斯大厦展示了他们的个项目“贸易之间”。利用家具丰富的历史和文化意义，展览展示了新兴建筑师和设计师的一系列家具，这些家具超越了世俗，挑战了使用的假设。Dalton Stewart、Shalini Rautela和Angus Grant作品的装置视图。

DO WORKS presents its first project, Trade Between, at the Nicholas Building. Drawing on furniture’s rich history and cultural significance, the exhibition featured a collection of furniture by emerging architects and designers that transcends the mundane and challenges assumptions of use. Installation view of works by Dalton Stewart, Shalini Rautela & Angus Grant. Photo: Pier Carthew.

由DO Works设计的Annie Paxton, Dalton Stewart和Shalini Rautela的作品在Trade Between展出，作为2023年墨尔本设计周的一部分，将于5月18日至28日在尼古拉斯大厦展出。

Works by Annie Paxton, Dalton Stewart and Shalini Rautela at Trade Between presented by DO WORKS, on display from 18-28 May at the Nicholas Building as part of Melbourne Design Week 2023. Photo: Pier Carthew.

在“维多利亚工艺”(Craft Victoria)展览会上，20位陶瓷艺术家受邀重新诠释这一经典器皿，展出了一系列精彩绝伦的水壶;大，小和细节，该对象被探索作为一个实用的对象和连接到人类的经验。

At Craft Victoria, a fantastic display of jugs was on show with twenty ceramic artists invited to reinterpret the classic vessel; big, small and detailed, the object was explored as an object of utility and connection to the human experience. Photo: Henry Trumble.

Rona Rubuntja Hermannsburg Potters. Photo: Henry Trumble.

Nicolette Johnson’s for Jugs. Photo: Henry Trumble.

Installation View at Craft Victoria’s Jugs exhibition. Photo: Henry Trumble.

Kate Jones work for Jugs. Photo: Henry Trumble.

Cheeky jug by Vipoo Srivilasa. Photo: Henry Trumble.

同样在维多利亚工艺展上，Two Lines工作室举办了一个名为“巨石”的个展。沉浸式装置的特点是模块化家具和雕塑物品，精心制作的热情和欣赏熟练的工艺，并受到当代建筑设计的影响。

Also at Craft Victoria, Two Lines Studio held Monolithic, a solo exhibition. The immersive installation featured modular furniture pieces alongside sculptural objects, carefully crafted from a passion and appreciation for skilled craftpersonship and influenced by contemporary architectural design.

未来集体重返阿尔巴别墅，博物馆里摆满了集体展示品，这可能是我们拥有的接近米兰宫殿的东西。在一楼，一群澳大利亚和国际的设计师和制造商开始了一个以过程为导向的探索，这个探索将在三个展览的过程中逐渐发展。这个新兴的平台由Marlo Lyda策划，与Jordan Fleming于2023年建立，它向参与者提出了一个问题:“对你来说什么重要?”随着对设计师新产品的无情需求，这种缓慢的过程是我们在mdw中看到的令人兴奋的事情之一，的部分是我们将不得不等待他们的结果!

Futures Collective returned to the Villa Alba with a collective showcase filling the museum that may be the closest thing we have to a Milanese palazzo. On the ground floor, MATTERS saw a collection of Australian and International designers-makers embark on a process-driven exploration that will be gradually developed over the course of three exhibitions. Curated by Marlo Lyda, the emerging platform established with Jordan Fleming in 2023 prompted the participants with the question ‘What matters to you? With the relentless demand for new output on designers, to the point of needlessness or worse creative output, this slow approach to process was one of the most exciting things we saw come out of MDW—and the best part is we will have to wait to see how they turn out!

来自悉尼的Genevieve Hromas和OKLO的Juliet Ramsey展示了一系列有趣的作品，这些作品在物体和家具之间摇摆，这是两人在研究再利用和限制资源浪费的可能性时发现和形成的。菲奥娜·丽达(Fiona Lyda)绘制了澳大利亚的风景，展示了先天(Innate)，这是一个新的地毯和浴巾系列，在两个会议室里展出。同时展出的还有TAPPETI X YSG首次合作的地毯，以及Tom Fereday与Eco Outdoor合作设计的椅子。

Upstairs Sydney-based Genevieve Hromas and Juliet Ramsey of OKLO OKLO presented a series of playful pieces that oscillated between object and furniture, found and formed as the duo leaned into the possibilities of re-use and limiting waste with resources. Fiona Lyda drew on the Australian landscape to present Innate, a new collection of rugs and bath towels in two conversing rooms. Also on show was TAPPETI X YSG’s inaugural rug collaboration and a chair designed by Tom Fereday in partnership with Eco Outdoor.

Tappeti X YSG的新地毯系列与OKLO OKLO在Villa Alba为Futures Collective设计的作品。OKLO的Genevieve Hromas和Juliet Ramsey将他们的足智多谋的精神带到了桌子上，他们的作品在物体和家具之间摇摆。

Tappeti X YSG’s new rug collection alongside pieces by OKLO OKLO at Villa Alba for Futures Collective. OKLO OKLO’s Genevieve Hromas and Juliet Ramsey brought their resourceful spirit to the table with playful pieces that oscillated between objects and furniture. Photo: Tess Kelly.

菲奥娜·丽达(Fiona Lyda)绘制了澳大利亚的风景，展示了先天(Innate)，这是一个新的地毯和浴巾系列，在两个会议室里展出。照片:苔丝·凯利

Fiona Lyda drew on the Australian landscape to present Innate, a new collection of rugs and bath towels in two conversing rooms. Photo: Tess Kelly.

Side table by OKLO OKLO at Futures Collective. Photo: Sean Fennessy.

作为2023年墨尔本设计周的一部分，Marlo Lyda在Villa Alba展出的(NOTHINGS) MATTERS装置视图将于5月18日至24日展出。照片:肖恩·芬尼西

Installation view of (NOTHINGS) MATTERS presented by Marlo Lyda at Villa Alba on display from 18-24 May as part of Melbourne Design Week 2023. Photo: Sean Fennessy.

阿尔巴别墅博物馆是未来集体展览“重要”的背景。本地和国际设计师们开始了一场缓慢的、以过程为导向的探索，试图回答这个问题:“什么对你来说重要?”这种缓慢燃烧的方式为对新产品的无情需求提供了一种清新的缓解，激发了人们对即将到来的展览的兴趣。照片:苔丝·凯利。

Villa Alba Museum was the backdrop for Futures Collective’s exhibition ‘MATTERS’. A mix of local and international designers embarked on a slow, process-driven exploration in a bid to answer the question, ‘What matters to you?’ The slow-burn approach provided a refreshing reprieve from the relentless demand for new output, sparking intrigue for the forthcoming exhibitions. Photo: Tess Kelly.

作为2023年墨尔本设计周的一部分，Marlo Lyda在Villa Alba展出的(NOTHINGS) MATTERS装置视图将于5月18日至24日展出。照片:肖恩·芬尼西

Installation view of (NOTHINGS) MATTERS presented by Marlo Lyda at Villa Alba on display from 18-24 May as part of Melbourne Design Week 2023. Photo: Sean Fennessy.

作为2023年墨尔本设计周的一部分，Marlo Lyda在Villa Alba展出的(NOTHINGS) MATTERS装置视图将于5月18日至24日展出。照片:肖恩·芬尼西

Installation view of (NOTHINGS) MATTERS presented by Marlo Lyda at Villa Alba on display from 18-24 May as part of Melbourne Design Week 2023. Photo: Sean Fennessy.

由Tom Fereday和Charlie White构思的联合展览“Versa”在北墨尔本的肉类市场马厩展示了独特的家具和建筑元素组合。在这里，废物不仅被重新利用，而且被重新构想，挑战了感知价值的概念，并促进了关于可持续性的对话。图片来源:Pier Carthew

A joint exhibition, ‘Versa’, conceived by Tom Fereday and Charlie White, presented a unique assembly of furniture and architectural elements at the Meat Market Stables in North Melbourne. Here, waste materials were not just repurposed but reimagined, challenging notions of perceived value and fostering a dialogue on sustainability. Photo: Pier Carthew.

MANO by Tom Fereday.

2023年墨尔本设计周上，查理·怀特在VERSA展出的CLOUD安装视图。图片来源:Pier Carthew

Installation view of CLOUD by Charlie White on display in VERSA at Melbourne Design Week 2023. Photo: Pier Carthew.

在2023年墨尔本设计周上，查理·怀特在VERSA展出的090423的安装视图。图片来源:Pier Carthew

Installation view of 090423 by Charlie White on display in VERSA at Melbourne Design Week 2023. Photo: Pier Carthew.

由Charlie White和Tom Fereday在墨尔本2023设计周上展示的VERSA。图片来源:Pier Carthew

Installation view of VERSA presented by Charlie White and Tom Fereday at Melbourne Design Week 2023. Photo: Pier Carthew.

在一个与阿尔巴别墅一样宏伟的特定地点，筒仓项目在墨尔本内城的六个前粮食筒仓中进行。Ancher Architecture、Corey Thomas和Josee Vesely-Manning在不懈的努力(以及大量的清理工作，使其“展览”准备好)下呈现，现在已经过时的工业巨石主持了一些澳大利亚领先的设计声音的建筑干预，包括Pascale Gomes-McNabb、Volker Haug和Meagan Streader。直接回应这个情绪化的场地，贡献者提出了新的实验设计策略，与空间的鲜明对立，并作为“筒仓作为动词的意义的倒置，而不是孤立地工作，集体和创造性的流动性是隐含的。”

In a site-specific location just as grand as Villa Alba, The Silo Project took place in six former grain silos in inner city Melbourne. Presented with tireless effort (and a lot of cleaning up to make it ‘exhibition’ ready) by Ancher Architecture, Corey Thomas and Josee Vesely-Manning, the now obsolete industrial monolith played host to an architectural intervention by some of Australia’s leading design voices including Pascale Gomes-McNabb, Volker Haug and Meagan Streader. Responding directly to the moody site, contributors presented new experimental design strategies that played against the space’s starkness and as “an inversion of the meaning of silo as verb, where rather than working in isolation, collectivity and creative fluidity is implicit.”

在Cult与Mater合作举办的“废物之梦”展览中，Mater推出了全新的“Conscious Collection”，带领参观者踏上了从废物到家具的循环设计之旅。Conscious Collection是一系列创新产品，将咖啡豆壳、渔网、锯末和啤酒桶等纤维废料进行循环再利用，制成一种独特的复合材料，可以通过模压成型来制造新的家具。这个系列是可用的和美丽的-看看这个空间。

In Cult’s Waste Dream in collaboration with Mater, the exhibition took visitors on a circular design journey from waste to furniture with Mater’s new ‘Conscious Collection’—a series of innovative products that takes fibrous waste material, such as coffee bean shells, fishing nets, sawdust and beer kegs, and up-cycles it into a unique composite material that can be press-moulded to create new furniture. The collection is usable and beautiful—watch this space.

“HARD”由卡勒姆·赫尔利策划，汇集了来自澳大利亚各地的19名酷儿创意人士，他们都热衷于将发现的家庭垃圾变成新发现的宝藏。它勇敢地颂扬了酷儿身份和澳大利亚捡硬垃圾的传统，创造了一种明显的社区意识，在节目的每个角落都有回响。图片来源:Jax Oliver Studios。

‘HARD’, curated by Calum Hurley, brought together 19 queer creatives from across Australia, all revelling in the transformation of found household waste into newfound treasures. It bravely celebrated queer identity and the Australian tradition of scavenging hard rubbish, creating a palpable sense of community that echoed in every corner of the show. Photo: Jax Oliver Studios.

Andy TT为HARD设计的作品安装视图。图片来源:Jax Oliver Studios

Installation view of Andy TT’s work for HARD. Photo: Jax Oliver Studios.

艾莉森·斯迈尔斯(Alison Smiles)为HARD创作的作品的安装视图。图片来源:Jax Oliver Studios

Installation view of Alison Smiles’s work for HARD. Photo: Jax Oliver Studios.

Tom Summer为HARD设计的作品的安装视图。图片来源:Jax Oliver Studios

Installation view of Tom Summer’s work for HARD. Photo: Jax Oliver Studios.

高宇晨、佘艺玲作品《HARD》的装置视图。图片来源:Jax Oliver Studios

Installation view of Yuchen Gao & Yiling She’s work for HARD. Photo: Jax Oliver Studios.

朱利安·利·梅为HARD创作的作品的装置视图。图片来源:Jax Oliver Studios

Installation view of Julian Leigh May’s work for HARD. Photo: Jax Oliver Studios.

Cult的Waste Dream与Mater合作，通过创新的“Conscious Collection”展示了从废物到家具的循环之旅。照片:Lumea Photo

Cult’s Waste Dream, in collaboration with Mater, demonstrated the circular journey from waste to furniture with their innovative ‘Conscious Collection’. Photos: Lumea Photo.

Cult的《废梦》，与Mater合作。照片:Lumea Photo

Cult’s Waste Dream, in collaboration with Mater. Photos: Lumea Photo.

遗产

Legacy

在对过去的愉快致敬中，2023年墨尔本设计周提供了一个引人入胜的设计历史之旅，其中有大量的展览向丰富的设计遗产致敬。

In a delightful nod to the past, Melbourne Design Week 2023 offered a riveting journey through design history with a plethora of exhibitions paying homage to rich design legacies.

应泰特的邀请，玛莎·戈莱马克(Marsha Golemac)策划了这家澳大利亚设计公司在泰特30年的巨大里程碑。从锤子到机器人，展览突出了这一过程中发展起来的丰富历史。

At the invitation of Tait, Marsha Golemac curated the Australian design company’s mammoth milestone in 30 Years of Tait. From the hammer to the robot, the exhibition highlighted the rich history that’s developed along the way.

在他们位于Hawthorn的展厅里，BACHLI家具展示了一场壮观的展览“轻的原则”，以纪念意大利MDF成立30周年。手工抛光钢或铝饰面的新限量版系列重新构想了其历史上的四个典范产品;同时冻结他们的时间，让他们起死回生。

Held at their showroom in Hawthorn, BACHLI Furniture presented The Principle of Lightness a spectacular exhibition created to mark MDF Italia’s 30th anniversary. A new collection of limited editions in hand-polished steel or aluminium finishes reimagined four exemplary products from its history; simultaneously freezing them in time and bringing them back to life.

在科林伍德历史悠久的“福伊和吉布森”地区的艺术家住宅内，弗雷德国际和哈利康湖展示了一个独特的策划公寓空间，展示了一系列艺术品和物品，家具，地毯和照明，让我们沉浸在住宅工匠v.b orkkkr的世界中。由Without Studio策划的公寓，在我们不间断的踩踏的第二天，感觉就像一个受欢迎的天堂。

Inside the Artist’s Residence in the historic ‘Foy and Gibson’ precinct of Collingwood, Fred International and Halycon Lake presented a uniquely curated apartment space showcasing a collection of art & objects, furniture, rugs and lighting, immersing us into the world of the artisan in residence, V.Brokkr. Curated by Without Studio, the apartment felt like a welcome haven during our non-stop stomping on day two.

现在就到这里，伙计们!好吧，至少这是我们在一篇文章中所能容纳的全部内容，这证明了我们惊人的设计社区年复一年地不断超越自己。我们已经等不及2024年了。

That’s all for now, folks! Well, at least that was all we could fit into one article, which is a testament to our amazing design community that continues to outdo itself year after year. We already cannot wait for 2024.

由Marsha Golemac策划的“30 Years of Tait”纪念了澳大利亚设计公司Tait的不朽历程。从锤子到机器人，这场展览追溯了泰特设计叙事的有趣演变。图片来源:海顿·卡塔。

Curated by Marsha Golemac, “30 Years of Tait” commemorated the monumental journey of the Australian design company, Tait. From hammer to robot, this show traced the intriguing evolution of Tait’s design narrative. Photo: Haydn Cattach.

BACHLI家具以“轻的原则”庆祝意大利MDF成立30周年。这个迷人的展示为意大利MDF的四个标志性产品注入了新的生命，每一个都是限量版手工抛光钢或铝饰面。照片:尼古拉斯威尔金斯。

BACHLI Furniture marked MDF Italia’s 30th anniversary with “The Principle of Lightness”. This captivating showcase breathed new life into four of MDF Italia’s iconic products, each in limited edition hand-polished steel or aluminium finishes. Photo: Nicholas Wilkins.

坐落在科林伍德历史悠久的“福伊和吉布森”区，艺术家的住所提供了一个喘息的机会，从旋风般的展览。这个独特的公寓，由Without Studio策划，以Fred和Halcyon Lake的艺术、物品、家具、地毯和照明为特色，概括了居住的工匠v.b orkkr的世界。

Nestled in Collingwood’s historic ‘Foy and Gibson’ precinct, the Artist’s Residence provided a respite from the whirlwind of exhibitions. This unique apartment, curated by Without Studio, featured a curated mix of art, objects, furniture, rugs, and lighting from Fred and Halcyon Lake, encapsulating the world of the artisan in residence, V.Brokkr.

艺术家的住所，由弗雷德和哈尔西恩湖提供。

Artist’s Residence, presented by Fred with Halcyon Lake.

作为2023年墨尔本设计周的一部分，由Alpha 60和Brendan Huntly展示的方向感装置视图将于5月18日至28日展出。照片:肖恩·芬尼西。

Installation view of Sense of Direction presented by Alpha 60 and Brendan Huntly on display from 18-28May as part of Melbourne Design Week 2023. Photos: Sean Fennessy.

lpha 60和Brendan Huntly的《方向感》。照片:肖恩·芬尼西。

Sense of Direction by Alpha 60 and Brendan Huntly. Photo: Sean Fennessy.

方向感:Alpha60 X布兰登·亨特利在海德现代艺术博物馆。

Sense of Direction: Alpha60 X Brendan Huntley at the Heide Museum of Modern Art.

一个由绘画、雕塑、monotypes、地毯和时钟组成的装置，共同探索个人转变的短暂性……

An installation of paintings, sculptures, monotypes, rugs and clocks that together explore the transience of personal transformation...

在FIN画廊位于Prahran的新址举行的Foreign Dialogues将来自澳大利亚和欧洲的新兴和成熟的声音聚集在一起，以“错综复杂的纠缠”的概念为出发点，突出了世界范围内向材料实验和基于过程的设计的转变。图示:Joana Schneider。

Held at FIN gallery’s new location in Prahran, Foreign Dialogues brought together both emerging and established voices from Australia and Europe to highlight the worldwide shift towards material experimentation and process-based design using the notion of ‘intricately entangled’ as a jumping-off point. Pictured: Joana Schneider.

Tadeas Podracky的《褪色反射镜》在Fin画廊的《外国对话》展览中展出。

Tadeas Podracky’s Fading Reflection Mirror at Fin Gallery’s Foreign Dialogues show.